NontonStreaming Download Drama Don't Look Now (1973) Subtitle Indonesia. R Genre: Drama, Horror, Thriller. Kualitas: HD Tahun: 1973 Durasi: 110 Menit Dilihat: 1.273 views. 283 voting, rata-rata 7,1 dari 10.

Pada April 30, 2023 LK21 Nonton Last Tango in Paris Ultimo tango a Parigi 1972 Film dan from Tango in Paris LK21 Sebuah Karya Sinema Klasik Last Tango in Paris atau yang lebih dikenal sebagai Ultimo Tango a Milano di Italia, merupakan sebuah film drama erotis asal Italia-Prancis tahun 1972 yang disutradarai oleh Bernardo Bertolucci dan dibintangi oleh Marlon Brando dan Maria Schneider. Film ini telah menginspirasi banyak sekali penonton, dan masih dianggap sebagai salah satu film erotis terbaik yang pernah dibuat. Kisah dibalik Last Tango in Paris Film ini menceritakan tentang seorang pria berusia 40-an bernama Paul Marlon Brando, yang tengah menghadapi masa-masa sulit akibat kematian istrinya. Dia bertemu dengan seorang wanita muda bernama Jeanne Maria Schneider dan mereka menjalin hubungan seks tanpa nama. Meskipun hubungan mereka berawal dari sebuah kata-kata, namun mereka menjalani hubungan berdasarkan kebebasan dan kejujuran. Karya Sinematografi yang Berpengaruh Last Tango in Paris adalah salah satu dari sekian banyak karya sinematografi yang berpengaruh. Film ini telah memberikan kontribusi besar terhadap industri film erotis dan menginspirasi banyak orang untuk membuat film-film bergenre yang sama. Kontroversi yang Menyelimuti Film ini Meskipun Last Tango in Paris telah menerima banyak pujian, namun film ini juga menimbulkan kontroversi di seluruh dunia. Beberapa adegan erotis dalam film ini menimbulkan kritik dari banyak orang dan beberapa negara pun mengharamkan film Last Tango in Paris di LK21 Sekarang, Anda dapat menonton film ini di LK21. LK21 adalah salah satu situs streaming film terbaik di Indonesia yang menyediakan berbagai macam film, termasuk Last Tango in Paris. Anda dapat menonton film ini secara gratis atau membeli tiket untuk menikmati film ini dengan kualitas gambar yang lebih baik. Kesimpulan Last Tango in Paris merupakan sebuah film klasik yang telah memberikan kontribusi besar bagi dunia perfilman. Meskipun film ini telah menimbulkan kontroversi di seluruh dunia, namun masih banyak orang yang menyukai film ini, dan sekarang Anda dapat menontonnya di LK21. “"Menurut National Geographic, film-film klasik seperti Last Tango in Paris telah menginspirasi generasi baru untuk terus mengeksplorasi batasan-batasan sinematografi"”.

LastLife in the Universe (2003) 7.6 10,414 Trailer Seorang pustakawan Jepang obsesif-kompulsif yang tinggal di Bangkok menghabiskan sebagian besar hari-harinya dengan memikirkan bunuh diri di apartemennya yang tak bernyawa. Hidupnya berubah ketika dia menyaksikan kematian Nid, beberapa detik sebelum dia akan melompat dari jembatan.

What to know Naturalistic but evocative, Last Tango in Paris is a vivid exploration of pain, love, and sex featuring a typically towering Marlon Brando performance. Read critic reviews Investigation of a Citizen Above Suspicion Rent/buy Subscription Last Tango in Paris Photos Movie Info Distraught following his wife's suicide, American hotelier Paul Marlon Brando becomes transfixed by the beautiful younger Frenchwoman Jeanne Maria Schneider when he meets her by chance at an apartment both are attempting to rent. The couple begin an extended but purely anonymous sexual relationship in which they do not even tell each other their names, but it soon becomes clear that the couple's deliberate level of disassociation cannot continue. Rating NC-17 Genre Drama Original Language French France Director Bernardo Bertolucci Producer Alberto Grimaldi Writer Bernardo Bertolucci, Bernardo Bertolucci, Franco Arcalli, Agnès Varda, Franco Arcalli, Bernardo Bertolucci Release Date Theaters Oct 14, 1972 original Release Date Streaming Aug 14, 2001 Runtime 2h 10m Distributor United Artists, MGM Home Entertainment Sound Mix Mono Aspect Ratio 35mm Cast & Crew News & Interviews for Last Tango in Paris Critic Reviews for Last Tango in Paris Audience Reviews for Last Tango in Paris Sep 29, 2014 "He said, 'I ate the last mango in Paris, took the last plane out of Saigon, took the first fast boat to China, and, Jimmy, there's still so much to be done.'" Forget you, Jimmy Buffett, for ruining this film's title, and thank you, Bernardo Bertolucci, for having that title completely ruin the humorous direction that one lowbrow guy might take by pointing out how ris-kay something sounds. Jokes on you, obnoxious dude, because this film already is ris-kay, perhaps even taboo, not so much because it's about anonymous, periodic sex, but because it sees an Italian celebrating Paris. Speaking of which, looking at this film and "The Godfather", it appears that 1971 was the year Marlon Brando really got into pseudo-Italian cinema, which sounds a whole lot more exciting than calling 1972 the year Brando finally decided to get freaky for the ladies, when he was middle-aged and flabby. I just love the irony in the fact that Maria Schneider, discussing this film, emphasized that it was "Burtolucci" who "was fat and sweaty and very manipulative" Jeez, and I thought that Brando was a jerk to his directors, although, in her defense, Brando was still a little ways away from being old and fat in this film. I'm surprised he didn't end up evolving to that point by the end of principal photography, because the rough cut, alone, was absurdly sprawling, although Burtolucci was wise enough to recognize that this story doesn't have the scope of something like "1900", so instead of making this drama about a middle-aged widower bumping uglies with a hot Frenchwoman over five hours long, he only made it... over four hours long. Jeez, and at a little over two hours, this film, while decent, is too long and dull, although that might provide time for a little more exposition. Now, don't get me wrong, I'm all for the casual sex... uh, by which I mean that I understand the significance of the ambiguity in the characterization to the leads that has us getting to know the characters as they come to know each other, but by thinning the secondary characters as borderline inconsequential, the range of the character-driven narrative is limited more than it ought to be, while spots in the leads' exposition prove to be too ambiguous for the good of your investment. The missteps in characterization make it a little harder to get passed the unlikable traits within the flawed leads, just as they keep the film from being fleshed out enough to feel completely distinguished, without falling into near-aggravating conventions that range from plot tropes to a problematic abuse of an artistic license. If this drama isn't something of an art film, then it is just way too blasted European in how it's tells its story, not getting flashily overstylized, but relying much too much on naturalism and aimless meditation for a sense of cinematic substance to thrive. I would find the film's doing a whole lot of nothing, for the sake of some sort of artistic expression, so much more forgivable if there wasn't so much blasted dragging to Bernardo Bertolucci's and Franco Arcalli's script, because as much as I've jokingly expressed relief about the definitive version's shaving a whopping two hours off of the rough cut, said definitive version, at roughly 130 minutes, is way too blasted long to be driven by monotonous chatter and patterned plotting. The film drags its feet something awful, no matter which version you see, and to make the pacing all the more glacial, Bertolucci's direction carries a certain intense thoughtfulness and slow-burn clip that, when backed by all of the aimless dragging, and by the pseudo-artistic meditations on nothing but naturalism, dull things down, often into all-out tedium. The film freshens up your investment recurrently enough to endear with very compelling moments, but when effective material lapses, engagement value falls flat, and no matter how good the acting is or how beautiful the film is, the final product either engrosses or flirts with mediocrity. Either way, the drama is underwhelming as artistically and structurally misguided, and yet, what it does right proves to be engrossing, whether it be complimenting dramatic value to a certain extent, or establishing outstanding aesthetic value. In this slow-burn, largely quietly naturalist drama, Gato Barbieri's score is unevenly used, and when it is brought to prominence, it sure is worth waiting for, as it, with light modern classicism and a couple of creative jazzy parts, compliments the subtle artistic integrity of this drama through a unique and often mesmerizing beauty. Such praise can also be applied to an aspect that is, of course, much more prominent in this under-scored affair Vittorio Storaro's cinematography, which is utterly breathtaking with its very Italian, very striking palette, which stresses somewhat sunny coloration to illuminate every shot as portraitist, particularly in shots that actually emphasize light as stunning just about beyond belief. The storytelling style is problematic, but when it comes to musical and visual style, this film is incredibly beautiful, and that's fairly endearing, holding some degree of your investment, until Bernardo Bertolucci, as director, secures it, upon finding realization in his thoughtfulness by not getting too caught up in artistic meandering, and by finding material amidst his celebration of the tasteful style in order to draw you in, with resonance that brings life to the potential of worthy subject matter, at least at times. This story is minimalist enough in concept, without being interpreted with a questionable style, at the expense of extensive development and tight pacing, but this subject matter about two people escaping their personal struggles by beginning a new, initially anonymous and strictly sexual relationship that may reach emotional breakthroughs and enlighten the individuals on their respective situations and feelings for each other is rich with a potential that is ultimately betrayed by misguided direction and writing, but only to an extent. As I said, there are times in which Bertolucci's direction really comes to life, but the film really shines with Bertolucci's and Franco Arcalli's scripting of the interactions between the lead Paul and Jeanne characters, for although the characters' interactions with their other peers have their highlights, and although a lot of the chatter between the leads is monotonous, with moments of lowbrow comic relief and utterly trashy references Pretty much any scene involving butt stuff is ridiculous, the dialogue, sometimes translated into French by Agnès Varda, is witty and memorable, typically anchoring characterization that is usually so lacking, but found in the leads' interactions with the utmost nuance. As the leads come to know each other on more than just a sexual level, you come to recognize the true human depths and nuances of the central focus of this film, which would have been so much better if it kept consistent with that kind of smart storytelling, backed by more dynamicity and liveliness, which isn't to say that there isn't some sense of humanity maintained throughout the course of the film, thanks the portrayals of the leads, for Marlon Brando and Maria Schneider, on top of sharing impossibly sparkling chemistry, deliver on individual charisma and dramatic effectiveness, with Schneider capturing the vulnerability and spirit of a young woman who comes to distinguish her independence, while Brando really stands out, in one of the better performances of his career, cutting through all of the potentially unlikable aspects of his often crude, deviant and slightly selfish character Character? That sounds like Brando in the '70s with devastating moment of emotional intensity that capture the frustrations, denial and instability of a widower seeking something rejuvenating in miserable, confusing life. When Brando and Schneider shine, the film itself is at its brightest, so it should go without saying that material is limited in this, in certain areas, flat affair of overblown artistry and limp pacing, for the final product, through all of its strengths, falls pretty decidedly into underwhelmingness under the overwhelming weight of its misguidance, met with enough inspiration in style and substance to render the final product decent, with some pretty compelling moments, limited in quantity, though, they may be. When the tango is done, the final product all but collapses into mediocrity under the weight of too much expository ambiguity, too much familiarity, and too much misguidance in a meandering artistic naturalism whose dullness is exacerbated by monotonous, if not aimless dragging and atmospheric cold spells, but on the backs of beautiful score work, breathtaking cinematography, moving directorial highlights, and worthy, character-driven subject matter that goes brought to life by smart moments in scripting, and by electric chemistry between and performances by Marlon Brando and Maria Schneider, "Last Tango in Paris" stands as an adequately engaging and sometimes engrossing, if often distancing drama about escapism and the mystery of people. - Fair Jun 12, 2014 The most bizzare Marlon Brando movie ever. Last Tango actually could look like a typical movie with Brando, but with much more heavy and raw material. The jawdropping surrealista and sometimes involuntary hilarious dialog bring much more genius status to this piece. It's quite weird because, it's a boring film, but also present entertaining scenes. I liked specially the last half hour of movie. Because of that I give a higher note. A very very weird film, maybe if for that I liked too. Super Reviewer Nov 20, 2013 Bertolucci's claustrophobic look at the "love" between Brando and Schneider is often grotesque and unrewarding. Both characters seem doomed to their circumstances and fate. Super Reviewer Nov 25, 2012 A powerful and affecting drama from Bernardo Bertolucci, Last Tango in Paris, with its graphic depictions of sex and sexual violence, is driven almost entirely by Marlon Brando's gripping and passionate performance as a depressed widower. His performance in Last Tango may very well be his best, and he makes the movie not only incredibly emotional but also very haunting. The ending will undoubtedly linger in your mind long after the movie ends, and perfectly concludes such a controversial but artistic movie. Super Reviewer

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Último Tango em Paris Enquanto procura um apartamento em Paris, uma bela jovem Maria Schneider conhece um americano Marlon Brando, cuja esposa cometeu suicídio recentemente. Instantaneamente um deseja o outro ardentemente e iniciam naquele momento um tórrido affair. Eles combinam que não revelariam nada de suas vidas, nem mesmo seus nomes, sendo que o objetivo dos encontros seria basicamente sexo. Mas, gradativamente, os acontecimentos vão fugindo do controle de ambos. Comentários É por isso que eu gosto do marlon brando, o melhor do cinema NOJENTO E ASQUEROSO. extremamente nojento Sem mais comentários Opinião Pública Último Tango em Paris Dublado e Legendado Direção Bernardo Bertolucci - Produção O meu favorito Bertolucci filme junto com O Último Imperador, Último Tango em Paris é algo verdadeiramente notável. Ele é polêmico sim em como o sexo era exibido na tela. Mas também é bonito e comovente, não só como um psicodrama, mas também um estudo de um partido e torturado homem. Em vez de erótico, para mim, ele surgiu como o mais existencial, e eu não tinha nada contra o que, na verdade, eu não't tem a mente se era erótico ou existencial ou Tango é muito bem filmado, com astuta cinematografia, interessante e iluminação deslumbrante valores de produção. Gato Barbieri's de jazz pontuação é maravilhoso e cria adequadamente um delírio atmosfera. A história é uma, maravilhosamente escrito e emocional, o script é de excepcional qualidade e Bertolucci's, a direção é de alto calibre. A atuação dos dois leva é excelente. É uma verdadeira vergonha Maria Schneider morreu tão jovem como ela morreu, ela mostrou uma grande promessa, e lá estava ela, sexy e tocar e ela olhou impressionante também. Para mim, o melhor trunfo de o Último Tango em Paris foi o desempenho de Marlon Brando. Ele é maravilhoso e devastador na liderança e mostra um monte de gama neste filme, um minuto ele é feroz e vulgar, próximo ele está de terno e cheio de em tudo, filme maravilhoso e vale a pena ver de Brando's de desempenho, especialmente, entre outras coisas. 10/10 Betânia Cox Assistir Último Tango em Paris Online Last Tango in Paris Legendado Último Tango em Paris Dublado Last Tango in Paris Online - Assistir Último Tango em Paris Online Gratis Dublado Legendado Filmes Online - Assistir Filmes Online - Filmes Online Grátis - Filmes Completos Dublados - Último Tango em Paris Online Quer assistir filmes online em alta qualidade no vizer? É muito simples! Clique no botão de play, escolha um player de filme, e assista online gratuitamente! Pode também baixar todos os episódios por mystream, fembed e torrent! Tem melhor que isso? Acho que não! No Vizer você encontra mm filmes gratis em alta qualidade, sempre com lançamento novo! Não é necessário cadastro para assistir, mas se você é um fanatico por filmes, o vizer tem o melhor painel de usuário de sempre! Crie listas de filmes e séries, receba notificações, conheça a comunidade e muito mais! Assistir Último Tango em Paris Online Gratis

Sejakrilis perdana pada 4 Desember 2021 di Jogja-NETPAC Asian Film Festival 2021 sebagai film penutup, film ini berlanjut tayang di bioskop mulai 6 Maret 2022. Situs IMDB menunjukkan film ini mendulang respon positif oleh masyarakat dengan rating 7,9/10 dari total 57 voters. Terlepas dari itu, film Cinta Pertama, Kedua dan Ketiga yang dinaungi

Notícias Vídeos Créditos Críticas dos usuários Críticas da imprensa Críticas do AdoroCinema Usuários 3,4 138 notas e 19 críticas Avaliar verEscrever minha crítica Sinopse Enquanto procura um apartamento em Paris, uma bela jovem Maria Schneider conhece um americano Marlon Brando, cuja esposa recentemente cometeu suicídio. Instantaneamente, um deseja o outro ardentemente e iniciam um tórrido affair. Eles combinam que não revelariam nada de suas vidas, nem mesmo seus nomes, sendo que o objetivo dos encontros seria basicamente sexo. Mas gradativamente os acontecimentos vão fugindo do controle de ambos. Trailer 131 Últimas notícias Elenco Ficha completa Comentários do leitor eles gostaramAs melhores e mais úteis crítica Muito bom filme. Trata-se de um drama erótico, aliás, pra quem não sabe, ou não viu. O nome já é bastante sugestivo ``Ultimo tango em Paris´´, por ser tango uma dança complexa, bonita e com ar de tragédia e Paris, a cidade dos apaixonados. Logo no começo do filme os personagens principais, com um ar de melancolia, vagam na ruas quase como pessoas perdidas, em busca de alguma coisa. Fazem sexo, em pouco tempo depois, em um apartamento ... Leia Mais Considerado , ainda hoje , por muitos , como um filme pornográfico, a obra polêmica de Bertolucci joga luz sobre o amour-fou , realizando uma bela metáfora , entre o amor desmedido e as amarras de uma sociedade que nega o que não pode entender. "Último tango em Paris" mostra simbolicamente que quem dança fora do ritmo e propõe passos novos é convidado a se retirar do salão. Por meio da cena , em que os protagonistas dançam ... Leia Mais Um clássico e marco do cinema mundial, roteiro perfeito e uma atuação impressionante de Marlon Brando com um louco e amante, já a atriz maria não está a altura de Brando, com pouca pegada, mas esse um filme que teve cenas que gerou intrigas entre cineastas e diretores da época! Um filme ousado, não só para a época de lançamento, como até hoje, por tratar de uma relação sadomasoquista. Marlon Brando, sempre vigoroso, e Maria Schneider, em atuação sensível, protagonizam essa trama de encontros e desencontros. Fotografia bonita, numa competente direção de Bernardo Bertolucci. 19 Comentários do leitor Fotos 38 Fotos Curiosidades das filmagens Erotismo na tela O conceito do filme surgiu das próprias fantasias sexuais de Bernardo Bertolucci. O diretor afirmou que uma vez sonhou que encontrava uma bela mulher sem nome na rua e fazia sexo com ela, sem nunca saber quem realmente era aquela pessoa. Liberdade criativa Marlon Brando improvisou boa parte das suas falas porque seus diálogos originais não o agradaram. Censura Pelo forte conteúdo erótico, o filme sofreu proibições por uma série de países. Na Grã-Bretanha, os censores diminuíram a duração de algumas cenas. No Brasil, por conta da censura militar, o filme só foi liberado em 1979, enquanto que no Chile, na ditadura de Augusto Pinochet, passou trinta anos proibido. Mas na Itália, a situação foi pior. Só foi lançado em dezembro de 1975, para apenas uma semana depois todas as cópias serem confiscadas pela po Leia Mais curiosidades Detalhes técnicos Nacionalidades Itália, França Distribuidor Fox Film do Brasil Ano de produção 1972 Tipo de filme longa-metragem Curiosidades 4 curiosidades Orçamento 1 250 000 $ Idiomas Italiano, Francês, Inglês Formato de produção - Cor Colorido Formato de áudio - Formato de projeção - Número Visa - Se você gosta desse filme, talvez você também goste de... Mais filmes Melhores filmes do ano 1972, Melhores filmes Drama, Melhores filmes de Drama de 1972. Comentários

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Wait, this movie has an officer and a gentleman? Bad lays aren't the only thing you and Hollywood have in common. The Instant Pot is a combination crock pot and pressure cooker that many Americans revere with a passion usually reserved for automatic weapons. Both directors were credited with leading an onscreen sexual revolution, thanks to Last Tango In Paris and Don't Look Now. The late filmmaker had a prolific career, but the controversy over a non-consensual sex scene in Last Tango in Paris is part of that legacy too. The Italian director won countless Oscars during his lengthy career, including Best Director and Best Adapted Screenplay for The Last Emperor. These NC-17 movies take the naughty, but make it cinema. Sorry about this, MPAA. In the wake of the sexual misconduct allegations levied against Toback, the charming insider documentary now watches like a horror movie. The most recent episode of Jezebel’s DirtCast’ podcast dives into the unique challenges stunt coordinators face for rape scenes. From real animal deaths to verbal abuse, these movies got way too intense. As actress Maria Schneider explained in 2007, "Even though what Marlon was doing wasn't real, I was crying real tears." In honor of the Showtime Anytime premiere of the documentary film Listen To Me Marlon, here are 10 roles from arguably the greatest actor in the history of cinema. Whip it, whip it good.

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